To Outline or Not to Outline by Dellani Oakes

I continue to be amazed by people who make outlines of their stories, know where the story line is going and most of all know the ending before even writing the book.  Who are these godlike folk and why am I not like them?  I am a very off the cuff writer, I don’t know where the story is going to go, although I like to have a general idea before I begin.  I usually start with an idea or, more often than not, a sentence that seems to resonate in my mind until I get it down on paper.  Novels and short stories start the same way, a compelling first sentence.

When I read the May SFFW Newsletter, I read the interview with Tim Powers with fascination.  I read snippets to my husband asking him (like he knows), “How can he do that?  How can anyone do that?”  Outlines?  Those are things you write after the term paper is written and only because the teacher requires it.  If they had a crown for that, I’d be Queen.

I rarely know where my stories are going.  I don’t always know what I’m going to do with a character after I’ve introduced him, but I know he’d not be there if he weren’t important in some way.  For me, writing is an exploratory process.  I can’t sit down knowing what will be, I have to let it unfold.  I think the idea of outlines is very intimidating for some writers, especially new ones.  To know everything in advance takes some of the fun out of my process.  Don’t misunderstand, I think it’s marvelous that some people can do that.  I find it incredible that they are organized enough to work their way through the entire book before actually writing it.  It is a matter of preference and personality.

Having tried the outline, I can honestly say it doesn’t work for me.  I can’t even write a short synopsis of a book because I put in too much detail.  I got half way through my first outline and thought, “If I am going to spend this much time on it, I might as well just write the book.”  The outline hit the trash and I put all that creative energy into the novel instead.

 What I think I was trying to say when I started is this: Don’t be intimidated by the idea that you must outline. Don’t think you can’t start the novel you’ve been dreaming about because you have no clue how it’s going to end. Go with what is comfortable for you and find your way. By all means, try outlining because it is a wonderful tool, but don’t lock yourself into the thinking that you have to follow it once it’s there. Nothing is cast in stone, everything is malleable. Then when the creative juices flow and the words pound at the inside of your skull demanding to be set free, you can give them the outlet they need, hammering away at your keyboard or pouring from your pen. Whatever you do, just keep writing and let the outlines take care of themselves.


3 thoughts on “To Outline or Not to Outline by Dellani Oakes

  1. Amen, Dellani! I usually start out with a brief idea of the storyline and let it “cook” in my brain a while before sitting down to write. Once I start, I let it flow and often surprise myself with the direction the story takes. When I wrote Adrianna, I didn’t know until near the end who was going to be the culprit behind the attempts on Adrianna’s life. I surprised myself! That’s part of the fun of writing fiction. There is no required way of achieving it.

  2. Dellani, I’m completely with you. Our approaches are identical. Like you, I have a rough idea where my story is going, but even that can change in a flash because of some unforeseen circumstance that crops up. A good example is the book I’m writing now. One of the characters is scared of men.I didn’t get to why until two other characters were riding through a property talking. As the conversation between them developed, I realized one was an awful man, cruel, and certainly capable of rape. Then the light went off. OMG that’s the reason she’s scared of men! He raped her. This has changed the ending of the book significantly. I originally had the main character dying of Malaria, but maybe he’s going to get into a fight with this man who’ll kill him. But even now, I’m not sure. Anything can happen between 26,000 words and then.

  3. I’m the opposite. I’ve tried off the cuff writing and I can do it for short stories, but with longer ones I just get lost or write myself into a dead end. I don’t outline, per se, but I need to know the end and at least a couple of major turning points before I start, so usually I’ll write a series of expanding synopsis. For me the exploration and surprises come in how I get to the end.

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